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SOCIO-CULTURAL IMPLICATION AND IDENTITY CONSTRUCTION OF HUANGMEI OPERA PERFORMANCE IN URBAN PUBLIC SPACE OF ANQING: A CASE STUDY OF LIANHU PARK AND JIANGTAN PARK |
ZHU Fang1,2, SU Qin1 |
1. School of Geography and Tourism, Anhui Normal University, Wuhu 241000, China;
2. School of Resources and Environment, Anqing Normal University, Anqing 246133, China |
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Abstract This study combines the construction-oriented place theory and means-end chain theory, takes Lianhu Park and Jiangtan Park as two typical urban public space, to analyze the formation process, hierarchical structure and identity construction of the socio-cultural implication of Huangmei Opera performance. The material attributes of Lianhu Park and Jiangtan Park provide the stage space for Huangmei Opera, the older generation realize the purpose of improving the quality of life based on the perception of material attributes, the younger generation also recognize the physical and mental health benefits of space for the older generation. The interweaving effect of material and cultural attributes of public space promotes the formation of social attributes, the openness of the material space of Lianhu Park leads to the gathering of diversified performance forms, the older generation seek the sense of belonging through the conclusion of social relations and companionship, the younger generation seeks family gathering through companionship. The limited material space of Jiangtan Park makes the performance form relatively simple, so it became a gathering place for the older generation, the younger generation often choose to live outside the boundaries of performance space, Based on this, the older generation release themselves and seek identity through embodied practice of Huangmei Opera in urban public space, and the gathering of the older generation makes the construction of identity broken of the younger generation.
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Received: 22 January 2022
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