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| THE PROCESS AND MECHANISM OF THE PRODUCTION OF WATERFRONT PUBLIC RECREATION SPACE IN WUHAN |
| HAN Lei1,2, XIE Shuang-yu1,3 |
1. School of Urban and Environmental Sciences, Central China Normal University, Wuhan 430079, China;
2. School of Humanities, Southeast University, Nanjing 211189, China;
3. Wuhan Branch of China Tourism Academy, Wuhan 430079, China |
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Abstract Urban waterfront public recreational spaces (WPRS) are typical regions of transformation of urban functions from manufacturing and flood-prevention to recreation and consumption. By the method of on-site survey, deep interview, critical discourse analysis, and applying Lefebvre's theory of production of space and Foucault's theory of micro-power, this study established a deconstruction framework involving the whole process of production of space including planning, constructing, public recreation and administration. Applying this framework, we analyzed the production process of the WPRS in Wuhan from the perspective of disciplinarian-resistant. The study found that: 1)The production of Wuhan's WPRS has been driven by the involved disciplinarians and resistants interacting with each other in the process and has gone through three stages, namely the stage of "recreationized planning" dominated by the representation of space, the stage of "waterfront remodeling" led by the practice of space and the stage of "flowing order practice" led by the space of representation, which respectively produces an ideal space, a perceived space and a living space; 2) In these stages, various agents such as governments, mass media and local residents implemented top-down convergent spatial reconstruction, and meanwhile formed bottom-up heterogenous spatial practice, the governments have dominated the process of the production of WPRS, which has ensured the direction of the production being recreational and public.
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Received: 06 September 2021
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2022, Vol. 37 
