1. Key Research Institute of Yellow River Civilization and Sustainable Development & Collaborative Innovation Center on Yellow River Civilization of Henan Province, Henan University, Kaifeng 475001, China;
2. Nanjing Institute of Geography & Limnology, CAS, Nanjing 210008, China
Abstract:Based on the characteristic of cultural-symbolic and tacit knowledge of creative and cultural industry, the paper absorbed the ideas of creative field, field theory and social field, and discussed the relations between various fields and the process of knowledge flow, creation,learning and innovation about Jun Porcelain creative and cultural industrial cluster of less developed region-Shenhou Town in midland of China, and found that:1) The fields provided geographical, social, cultural and cognitive proximity for different agents and organizations within it, which supported the acquisition, sharing, exchanging and transferring of tacit and symbolic knowledge, contributing to the exchanging of new ideas and the emerging of creation and inspiration. 2) The production site of Jun Porcelain promoted the accumulation and increase of the producing skills,practical experience,technology and tacit knowledge, the different kinds of local relation fields(occupational field,apprenticeship field and clan field) encouraged the spreading and inheriting of occupational knowledge and information, experiences and producing skills,clan core and confidential knowledge and information respectively, the intensive local social field provided local specific and shared knowledge and information,forming a local knowledge base. 3) Local historical cultural resources and traditions, as well as geographical, social, cultural and cognitive proximity, were the driving forces of cultural and creative economy in peripheral and developing regions.
吕可文, 袁丰, 高露, 赵建吉, 苗长虹. 多元场和集群创新:河南省神垕钧瓷文化创意产业的案例分析[J]. 人文地理, 2019, 34(3): 128-136.
LV Ke-wen, YUAN Feng, GAO Lu, ZHAO Jian-ji, MIAO Chang-hong. MULTI-FIELDS AND INDUSTRIAL CLUSTER INNOVATION: A CASE STUDY OF JUN PORCELAIN INDUSTRY IN SHENHOU OF HENAN PROVINCE. HUMAN GEOGRAPHY, 2019, 34(3): 128-136.
Jones C, Lorenzen M, Sapsed J. The Oxford Handbook of Creative Industries[M]. Oxford:Oxford University Press, 2015:1-50.
[2]
Shalley C E, Hitt M A, Zhou J. The Oxford Handbook of Creativity, Innovation, and Entrepreneurship[M]. Oxford:Oxford University Press, 2015:1-14.
[3]
Florida R. The rise of the creative class[J]. Washington Monthly, 2002,35(5):593-596.
[4]
Thiel J. Creative cities and the reflexivity of the urban creative economy[J]. European Urban and Regional Studies, 2017,24(1):21-34.
[5]
李蕾蕾.文化经济地理学进展与"项目网络地理学"的提出[J].人文地理,2010,25(2):1-7.[Li Leilei. The development of cultural economic geography and the emergence of project network geographies[J]. Human Geography, 2010,25(2):1-7.]
[6]
Lorenzen M, Taube F A. Breakout from Bollywood? The roles of social networks and regulation in the evolution of Indian film industry[J]. Journal of International Management, 2008,14(3):286-299.
[7]
马仁锋,王腾飞,张文忠,等.文化创意产业区位模型与浙江实证[J]. 地理研究,2018,37(2):3379-3390.[Ma Renfeng, Wang Tengfei, Zhang Wenzhong, et al. Location model of cultural & creative industry and its application in Zhejiang[J]. Geographical Research, 2018, 37(2):3379-3390.]
[8]
Yeung H W C. Rethinking relational economic geography[J]. Transactions of the Institute of British Geographers, 2005(30):37-51.
[9]
Fløysand A, Jakobsen S. The complexity of innovation:A relational turn[J]. Progress in Human Geography, 2010,35(3):328-344.
[10]
Cunningham S D. From cultural to creative industries:Theory, industry and policy implications[J]. Media International Australia, Incorporating Culture & Policy, 2002(102):54-65.
[11]
Landry C. The Creative City:A ToolKit for Urban Innovators[M]. London:Earth Scan Publications Ltd, 2008:105-125.
[12]
Kiro L. The power of place:A case study of Auckland's design creative industries[J]. Urban Studies Research, 2017:1-16. DOI:8952965.
[13]
Copercinicopercin M. Berlin as a creative field:Deconstructing the role of the urban context in creative production[J]. Quaestiones Geographicae, 2016,35(4):121-132.
[14]
Scott A J. The cultural economy:Geography and the creative field[J]. Culture, Media and Society, 1999(21):807-817.
[15]
Scott A J. Cultural economy and the creative field of the city[J]. Geografska Annaler:Series B, Human Geography, 2010,92(2):115-130.
[16]
Scott A J. Entrepreneurship, innovation and industrial development:Geography and the creative field revisited[J]. Small Business Economics, 2006(26):1-24.
[17]
Scott A J. Beyond the creative city:Cognitive-cultural capitalism and the new urbanism[J]. Regional Studies, 2014, 48(4):565-578.
[18]
Cooke P, lazzeretti L. Creative cities:An introduction[M]//Cooke P, Lazzeretti L. Creative Cities, Cultural Clusters and Local Economic Development. Cheltenham:Edward Elgar, 2007:1-24.
[19]
Fahmi F Z, Koster S, Dijk J V. The location of creative industries in a developing country:The case of Indonesia[J]. Cities, 2016(59):66-79.
[20]
Bourdieu P. Practical Reasons:On the Theory of Action[M]. Stanford:Stanford University Press, 1998:32-34.
[21]
毕天云.布迪厄的"场域-惯习"论[J].学术探索,2004(1):32-35.[Bi Tianyun. On the Bourdieu's theory of "Field-Habitus"[J]. Academic Exploration, 2004(1):32-35.]
[22]
Fløysand A, Jakobsen S E. Commodification of rural places:A narrative of social fields, rural development, and football[J]. Journal of Rural Studies, 2007(23):206-221.
[23]
Nonaka I, Toyama R, Konno N. SECI, Ba and leadership:A unified model of dynamic knowledge creation[J]. Long Range Planning, 2000(33):5-34.
[24]
苗长虹,魏也华.技术学习与创新:新经济地理学的视角[J].人文地理,2007,22(5):1-10.[Miao Changhong, Wei Yehua. Technological learning and innovation:Some perspectives of economic geography[J]. Human Geography, 2007,22(5):1-10.]
[25]
贺灿飞,金璐璐,刘颖.多维邻近性对中国出口产品空间演化的影响[J].地理研究,2017,36(9):1613-1626.[He Canfei, Jin Lulu, Liu Ying. How does multi-proximity affect the evolution of export product space in China?[J]. Geographical Research, 2017,36(9):1613-1626.]
[26]
Inkpen A C, Tsang E W K. Social capital, networks, and knowledge transfer[J]. Academy of Management Review, 2005,30(1):146-165.
[27]
Boschma R A. Proximity and innovation:A critical assessment[J]. Regional Studies, 2005,39(1):61-74.
[28]
Grabher G. The project ecology of advertising:Tasks, talents and teams[J]. Regional Studies, 2002,36(3):245-262.
[29]
李琳,雒道政.多维邻近性与创新:西方研究回顾与展望[J].经济地理,2013,33(6):1-8.[Li Lin, Luo Daozheng. Multi-proximity and innovation:The retrospect and prospect on western researches[J]. Economic Geography, 2013,33(6):1-8.]
[30]
丁欢.协同演化视角下的地方产业集群形成机制研究——以禹州钧瓷文化产业集群为例[D].开封:河南大学,2015:15-17.[Ding Huan.The Study of Local Industrial Cluster Formation Mechanism Based on the View of Co-evolution:A Case Study of Jun Porcelain Industry in Yuzhou[D]. Kaifeng:Henan University, 2015:15-17.]
[31]
王洪伟.传统文化隐喻:神垕钧瓷历史变迁的社会学考察[D].武汉:华中师范大学,2009:63-69.[Wang Hongwei. Traditional Culture Etaphor:Sociological Survey of the Historical Changes in Shen Hou Jun Porcelain[D]. Wuhan:Central China Normal University, 2009:63-69.]
[32]
郑永彪,王雨.中国钧瓷文化产业集群的成因、演化机理与发展战略研究[J].首都师范大学学报(社会科学版),2012(3):146-150.[Zheng Yongbiao, Wang Yu. The research on formation, evolution mechanism and developing strategy of Jun Porcelain cultural and creative industrial cluster in China[J]. Journal of Capital Normal University(Social Sciences Edition), 2012(3):146-150.]
苗长虹. "产业区"研究的主要学派与整合框架:学习型产业区的理论建构[J].人文地理,2006,21(6):103-109.[Miao Changhong. Main schools in the studies of industrial districts and the integrated framework:A theoretical construction of learning industrial districts[J]. Human Geography, 2006,21(6):103-109.]
[35]
Maskell P, Bathelt H, Malmberg A. Building global knowledge pipelines:The role of temporary clusters[J]. European Planning Studies, 2006,14(8):997-1013.
[36]
单双,曾刚,朱贻文,等.国外临时性产业集群研究进展[J].世界地理研究,2015(2):115-122.[Shan Shuang, Zeng Gang, Zhu Yiwen, et al. Progress in studies of temporary clusters[J]. World Regional Studies, 2015(2):115-122.]
[37]
Comunian R. Temporary clusters and communities of practice in the creative economy:Festivals as temporary knowledge networks[J]. Space and Culture, 2017,20(3):329-343.