西方舞蹈地理研究进展：从非表征争议到创意地理实践

黄维; 李凡; 杨俭波

doi:10.13959/j.issn.1003-2398.2022.06.002

PDF(4353 KB)

人文地理 ›› 2022, Vol. 37 ›› Issue (6) : 12-19. DOI: 10.13959/j.issn.1003-2398.2022.06.002

进展与动态

西方舞蹈地理研究进展：从非表征争议到创意地理实践

黄维^1,2, 李凡^1,2,3, 杨俭波^1,2

作者信息 +

PROGRESS IN DANCE GEOGRAPHY: FROM CONTROVERSIES OF NON-REPRESENTATIONAL THEORY TO PRACTICES IN CREATIVE GEOGRAPHY

HUANG Wei^1,2, LI Fan^1,2,3, YANG Jian-bo^1,2

Author information +

文章历史 +

摘要

作为早期非表征理论构建的主要场景，舞蹈是特定想法—行为的表达与实践，有助于探察身体动作在理解和创造表达上的潜能，而舞蹈正式进入文化地理学视域的时期也正好是非表征理论对传统文化地理学的挑战接近成熟的关键时期。随着展演的身体成为分析对象以及编舞成为地理研究中新的非表征方法概念，舞蹈作为社会跨学科实践和工具受到越来越多关注。本文以非表征理论引发的诸多争议为基本背景，力求全面呈现如下两个转变过程：①舞蹈如何从关于身体、展演性、认同等地理学话题，逐渐演变为检测动作节奏、感觉、生成空间的地理实践和方法；②舞蹈地理研究经历如何从批判的舞蹈文化政治学，逐渐转向实践性的展演艺术与创意地理学。文章认为，非表征思想有望用于解决表征之外可能存在的开放性实践难题，丰富调节实践的情感维度，并拓展分析情感交缠的物质主义话语，而转变后的西方舞蹈地理研究对于理解我国现当代文化政治经济的情感属性、思考艺术影响下城市公共社区的差异化也就具有明确的启发价值。

Abstract

Dance was a primary case based on which non-representational theory (NRT) was first built, and as a way of expressing and practicing specific thought-action, it facilitates deeper investigations into the potentials of body and movement in understanding and creating expressions. Doubts over NRT logics and feasibility have urged geographers to rethink of the expressiveness of the body, meanings in mobilities and the emotional nature of spatial experience. With the performing body becoming a subject of analysis and choreography a new NRT concept and method in geographical research, the social inter-disciplinary practice and instrument of dance had received more and more attention. The paper attempts to present a full picture of the two major turns which researches in dance geography have been making against the background of the NRT controversies. First, how dance has transformed from a geographical topic of body, performativity and identity into a practice and method for exploring rhythm, sense and space making. Second, how research in dance geography which used to be critical culture-political studies has become practices in performing art and creative geography. It is suggested that non-representational thinking has the potential in solving problems that emerged in open-ended practices possibly existent outside representation, diversifying adaptive dimensions of emotion for practice, and extending analysis of materialist discourses entwined with emotion.

导出引用

黄维, 李凡, 杨俭波. 西方舞蹈地理研究进展：从非表征争议到创意地理实践[J]. 人文地理. 2022, 37(6): 12-19 https://doi.org/10.13959/j.issn.1003-2398.2022.06.002

HUANG Wei, LI Fan, YANG Jian-bo. PROGRESS IN DANCE GEOGRAPHY: FROM CONTROVERSIES OF NON-REPRESENTATIONAL THEORY TO PRACTICES IN CREATIVE GEOGRAPHY[J]. HUMAN GEOGRAPHY. 2022, 37(6): 12-19 https://doi.org/10.13959/j.issn.1003-2398.2022.06.002

中图分类号： K901.6

参考文献

[1] Dewsbury J D. Dancing: The secret slowness of the fast[M]//Cresswell T, Merriman P(eds). Geographies of Mobilities: Practices, Spaces, Subjects. Farnham: Ashgate, 2011:51-67.
[2] Desmond J C. Embodying difference: Issues in dance and cultural studies[J]. Cultural Critique, 1994,26:33-63.
[3] Sánchez-González L. Reclaiming salsa[J]. Cultural Studies, 1999, 13(2):237-250.
[4] Thrift N. Steps to an ecology of place[M]//Massey D, Allen J, Sarre P(eds). Human Geography Today. Cambridge: Polity, 1999:295-322.
[5] Pred A. The choreography of existence: Comments on Hägerstrand's time-geography and its usefulness[J]. Economic Geography, 1977,53(2):207-221.
[6] Seamon D. Body-subject, time-space routines and place-ballets[M]// Buttimer A, Seamon D (eds). The Human Experience of Space and Place. London: Croom Helm, 1980:148-165.
[7] Kwan S. Kinesthetic City: Dance and Movement in Chinese Urban Spaces[M]. Oxford: Oxford University Press, 2013:8-13,115-127.
[8] Nash C. Performativity in practice: Some recent work in cultural geography[J]. Progress in Human Geography, 2000,24(4):653-664.
[9] Rogers A. Butterfly takes flight: The translocal circulation of creative practice[J]. Social and Cultural Geography, 2011, 12(7): 663- 683.
[10] Rogers A. Geographies of the preforming arts: Landscapes, place, and cities[J]. Geography Compass, 2012,6(2):60-75.
[11] Rogers A. Advancing the geographies of the performing arts: Intercultural aesthetics, migratory mobility and geopolitics[J]. Progress in Human Geography, 2018,42(4):549-568.
[12] Andrienko G, Andrienko N, Kopanakisi, et al. Visual analytics methods for movement data[M]//Giannotti F, Pedreschi D(eds). Mobility, Data Mining and Privacy- Geographic Knowledge Discovery. Berlin: Springer, 2008:375-410.
[13] Ahlqvist O, Ban H, Cressie N, et al. Statistical counterpoint: Knowledge discovery of choreographic information using spatiotemporal analysis and visualization[J]. Applied Geography, 2010, 30:548-560.
[14] Veal C. Choreographic notebook: Methodological developments in qualitative geographical research[J]. Cultural Geographies, 2016, 23(2):221-245.
[15] Beswick K, Hawkins H, Kohlmaier J. The road to Epidaurus is like the road to creation: Tapping the urban archive[J]. Cultural Geographies, 2016,23(3):545-552.
[16] Hawkins H. Doing gender and the GeoHumanities-celebrations and intoxications[J]. Gender, Place & Culture, 2019,26(11):1503-1518.
[17] McCormack D. Geographies for moving bodies: Thinking, dancing, spaces[J]. Geography Compass, 2008,2(6):1822-1836.
[18] Thrift N J. The still point: Resistance, expressive embodiment and dance[M]//Pile S, Keith M(eds). Geographies of Resistance. London: Routledge, 1997:155-161.
[19] Boyd P, Edwardes C. Foreword: Non-representational dreams[M]// Boyd P, Edwardes C(eds). Non-Representational Theory and the Creative Arts. Singapore: Springer, 2019:7-11.
[20] Thrift N. Spatial Formations[M]. London: Sage, 1996:14-36.
[21] Thrift N. Steps to an ecology of place[M]//Massey D, Allen J, Sarre P(eds). Human Geography Today, Cambridge: Polity, 1999: 295- 322.
[22] Savigliana, M. Tango and the Political Economy of Passion[M]. New York: Routledge, 1995:8-37.
[23] Hosokawa S. Salsa no Teine Frontera: Orquesta de la Luz and the globalization of global music[J]. Cultural Studies, 1999,13(3):509- 534.
[24] Thrift N. Entanglements of power[M]//Sharp J P, Philo C, Paddison R(eds). Geographies of Domination/Resistance. London and New York: Routledge, 2005:1117-1118.
[25] Matless D. Landscape and Englishness[M]. London: Reaktion Books, 1998.
[26] Revill G. Performing French folk music: Dance, authenticity and nonrepresentational theory[J]. Cultural Geographies, 2004, 11(2): 199-209.
[27] Dunagan C. Dance, knowledge, and power[J]. Topoi, 2005,24(1): 29-41.
[28] Pine A, Kuhlke O. Geographies of Dance: Body, Movement and Corporeal Negotiation[M]. London: Lexington Books, 2014:1-7.
[29] Pine A, Kulke O. Global Movement: Dance, Place and Hybridity [M]. London: Lexinton Books, 2015:7-12.
[30] Somdah-Sands K. Triptych: Dancing in third space[J]. Cultural Geographies, 2006,13:610-616.
[31] Hensley S. 'It's the sugar, the honey that you have': Learning to be natural through rumba in Cuba[J]. Gender, Place and Culture, 2011, 18(2):195-215.
[32] Saldanha A. Re-ontologising race: The machinic geography of phenotype[J]. Environment and Planning D: Society and Space, 2006, 24(1):9-24.
[33] Johnson T M. The emotional politics of marginality, reinvention, embodied memory, and all that (Cape) jazz[M]//Pine A, Kuhlke O (eds). Geographies of Dance: Body, Movement and Corporeal Negotiation. London: Lexington Books, 2014:84-108.
[34] Aoyama Y. The role of consumption and globalization in a cultural industry: The case of flamenco[J]. Geoforum, 2006,38(1):103-113.
[35] Aoyama Y. Artists, tourists, and the State: Cultural tourism and the flamenco industry in Andalusia, Spain[J]. International Journal of Urban and Regional Research, 2009,33(1):80-104.
[36] Longhurst R, Ho E, Johnston L. Using 'the body' as an 'instrument of research': Kimch'i and pavlova[J]. Area, 2008,40(2):208-217.
[37] Wylie J. Landscape [M]. London: Routledge, 2007:144-154.
[38] Stewart N. Dancing the face of place: Environmental dance and ecophenomenology[J]. Performance Research, 2010,15(4):32-39.
[39] Bernasconi J C, Smith N E. Aerial Dance[M]. Leeds: Human Kinetics, 2008:113-130.
[40] Lawrence K. Hanging from knowledge: Vertical dance as spatial framework[J]. Performance Research, 2010,15(4):49-58.
[41] Somdahl-Sands K. Citizenship, civic memory and urban performance: Mission wall dances[J]. Space and Polity, 2008,12(3):329- 352.
[42] Bronet F. Dance, architecture, and space in the making[M]//Pine A, Kuhlke O (eds). Geographies of Dance: Body, Movement and Corporeal Negotiation. London: Lexington Books, 2014:168-178.
[43] Veal C. Micro-bodily mobilities: Choreographing geographies and mobilities of dance and disability[J]. Area, 2018,50(3):306-313.
[44] Duffy M, Atkinson P, Wood N. Thresholds of representation: Physical disability in dance and perceptions of the moving body[M]// Boyd C P, Edwardes C (eds). Non-representational Theory and the Creative Art. Singapore: Springer, 2018:253-255.
[45] Merriman P. Architecture/dance: Choreographing and inhabiting spaces with Anna and Lawrence Halprin[J]. Cultural Geographies, 2010,17(4):427-449.
[46] Dewsbury J D. Performative, non-representational and affect-based research: Seven injunctions[M]//Delyser D, Herbert S, Aitken S, et al(eds). The Sage Handbook of Qualitative Geography. London: Sage, 2010:321-334.
[47] Cresswell T. 'You cannot shake that shimmie here': Producing mobility on the dance floor[J]. Cultural Geographies, 2006,13:55-77.
[48] Mark F. Five theses on laughter after all[M]//Morris G (eds). Moving Words: Re-writing Dance. London and New York: Routledge, 1996:54-72.
[49] Sklar D. Dancing with the Virgin: Body and Faith in the Fiesta of Tortugas[M]. Berkeley, CA: University of California Press, 2001:4.
[50] Lorimer H. Walking: New forms and spaces for studies of pedestrianism[M]//Cresswell T, Merriman P(eds). Geographies of Mobilities: Practices, Spaces, Subjects. Farnham: Ashgate, 2011:99-117.
[51] Spinney J. A chance to catch a breath: Using mobile video ethnography in cycling research[J]. Mobilities, 2011,6(2):161-182.
[52] Merriman P. Rethinking mobile methods[J]. Mobilities, 2014,9(2): 167-187.
[53] McCormack D P. A paper with an interest in rhythm[J]. Geoforum, 2002,33(4):469-485.
[54] McCormack D P. Diagramming practice and performance[J]. Environment and Planning D: Society and Space, 2005,23(1):119-147.
[55] Thrift N, Dewsbury J D. Dead geographies -and how to make them live[J]. Environment and Planning D: Society and Space, 2000, 18(4):411-432.
[56] Somdahl-Sands K. Witnessing dance in the streets: Go! Taste the city[J]. ACME, 2011,10(1):508-533.
[57] Foster J. Dancing on the grave of industry: Wenders, Bausch and the affective re-performance of environmental history[J]. Cultural Geographies, 2018,25(2):319-338.
[58] Banfield J. 'A sprinkling of sugar dust': Synaesthetic practices, affective entrainment and non-representational communication[J]. Cultural Geographies, 2016,23(2):357-361.
[59] Noxolo P. Moving maps: African-Caribbean dance as embodied mapping[M]//Lacroix T, Barbour S, Howard D, et al(eds). Diasporas, Cultures of Mobilities, 'Race' 2: Diaspora, Memory and Intimacy. Montpellier: Presses Universitaires de la Mediterranee, 2015: 173-194.
[60] Noxolo P. Dancing Maps: Thinking Through the In/Secure Space of the Black Dancing Body[R]. ACME Lecture at the Royal Geographical Society-Institute of British Geographers Annual Conference, 2 September 2016.
[61] Srinivasan P. Sweating Saris: Indian Dance as Transnational Labour [M]. Philadelphia: Temple University Press, 2011:117-140.
[62] Thrift N. Foreword: Non-representational dreams[M]//Boyd C P, Edwardes C (eds). Non-representational Theory and the Creative Arts. Singapore: Springer, 2019:8-10.
[63] Crouch D. Flirting with space: Thinking landscape relationally[J]. Cultural Geographies, 2010,17(1):5-18.
[64] Qian Junxi. Re-visioning the Public in the City of Difference: Poetics and Politics in Post-reform Guangzhou, China[D]. University of Edinburgh, 2013.
[65] Qian J X, Lu Y H. On the trail of comparative urbanism: Square dance and public space in China[J]. Trans Inst Br Geogr, 2019, 44(4):692-706.
[66] 陶伟,程梓源.他者凝视下粤剧粤曲展演空间分析——广州荣华楼曲艺茶座个案研究[J]. 人文地理,2015,30(2):50-57. [Tao Wei, Cheng Ziyuan. The analysis of performing space under gaze of the other: A case study of Quyi Teahouse in Guangzhou Ronghualou [J]. Human Geography, 2015,30(2):50-57.]
[67] 刘晨,蔡晓梅“ . 躁” 起来：广州音乐现场的文化地理研究[J].地理科学, 2016, 36(6): 871-878. [Liu Chen, Cai Xiaomei. Noise up! A cultural geographical analysis of live music in Guangzhou[J]. Scientia Geographica Sinica, 2016,36(6):871-878.]
[68] 陶伟,林平平,王绍续. 基于身体地理学视角解读《致我们终将逝去的青春》 [J]. 热带地理,2015,35(4):522-531. [Tao Wei, Lin Pingping, Wang Shaoxu. Interpret film "So Young" based on the perspective of body geography[J]. Tropical Geography, 2015, 35(4): 522-531.]
[69] 陶伟,王绍续,朱竑.广州拾荒者的身体实践与空间建构[J].地理学报 , 2017, 72(12): 2199-2213. [Tao Wei, Wang Shaoxu, Zhu Hong. Scavengers' bodily practices and spatial construction in Guangzhou [J]. Acta Geographica Sinica, 2017,72(12):2199-2213.]
[70] 黄敏瑶,张敏.具身实践下的地方认知：非表征理论与南京马拉松[J]. 地理研究,2019,38(6):1355-1366. [Huang Minyao, Zhang Min. Cognition of place in embodied practice: Non-representational theory and Nanjing Marathon[J]. Geographical Research, 2019, 38(6): 1355-1366.]
[71] 成志芬,周尚意.历史文化街区表征与非表征之间的关联——以北京历史文化街区文化意义变化分析为例[J]. 人文地理,2021, 36(2):127-135. [Cheng Zhifen, Zhou Shangyi. The relationship between the representation and the non-representation in historical and cultural blocks: A case study of the cultural meaning change of Xisi historical and cultural block in Beijing[J]. Human Geography, 2021,36(2):127-135.]
[72] 谢辉,何益,刘畅.声景介入下的历史街区更新设计策略研究—— 以重庆市弹子石老街为例[J]. 现代城市研究,2021,55(8):55-62. [Xie Hui, He Yi, Liu Chang. The renewal design strategy of historical district integrated with the soundscape intervention: A case study of Danzishi historical district in Chongqing[J]. Planning and Construction, 2021,55(8):55-62.]