SOCIO-CULTURAL IMPLICATION AND IDENTITY CONSTRUCTION OF HUANGMEI OPERA PERFORMANCE IN URBAN PUBLIC SPACE OF ANQING: A CASE STUDY OF LIANHU PARK AND JIANGTAN PARK
ZHU Fang1,2, SU Qin1
1. School of Geography and Tourism, Anhui Normal University, Wuhu 241000, China;
2. School of Resources and Environment, Anqing Normal University, Anqing 246133, China
Abstract：This study combines the construction-oriented place theory and means-end chain theory, takes Lianhu Park and Jiangtan Park as two typical urban public space, to analyze the formation process, hierarchical structure and identity construction of the socio-cultural implication of Huangmei Opera performance. The material attributes of Lianhu Park and Jiangtan Park provide the stage space for Huangmei Opera, the older generation realize the purpose of improving the quality of life based on the perception of material attributes, the younger generation also recognize the physical and mental health benefits of space for the older generation. The interweaving effect of material and cultural attributes of public space promotes the formation of social attributes, the openness of the material space of Lianhu Park leads to the gathering of diversified performance forms, the older generation seek the sense of belonging through the conclusion of social relations and companionship, the younger generation seeks family gathering through companionship. The limited material space of Jiangtan Park makes the performance form relatively simple, so it became a gathering place for the older generation, the younger generation often choose to live outside the boundaries of performance space, Based on this, the older generation release themselves and seek identity through embodied practice of Huangmei Opera in urban public space, and the gathering of the older generation makes the construction of identity broken of the younger generation.
朱芳, 苏勤. 安庆城市公共空间黄梅戏展演的社会文化意义与认同建构——以莲湖公园和江滩公园为例[J]. 人文地理, 2023, 38(2): 59-68.
ZHU Fang, SU Qin. SOCIO-CULTURAL IMPLICATION AND IDENTITY CONSTRUCTION OF HUANGMEI OPERA PERFORMANCE IN URBAN PUBLIC SPACE OF ANQING: A CASE STUDY OF LIANHU PARK AND JIANGTAN PARK. HUMAN GEOGRAPHY, 2023, 38(2): 59-68.
Soulard J, Mcgehee N G, Stern M. Transformative tourism organizations and glocalization[J]. Annals of Tourism Research, 2019,76(5):91-104.
[2]
王凤娟.黄梅戏的地域符号空间生产过程探讨[J].戏剧艺术,2017(3):101-110.[Wang Fengjuan. On the space production of the regional symbol of Huangmei Opera[J]. Dramatic Art, 2017(3):101-110.]
[3]
邵敏.论文化空间视界下的黄梅戏传承与保护[J].江淮论坛,2015(3):136-139,159.[Shao Min. On the inheritance and protection of Huangmei Opera in the cultural space[J]. Jianghuai Tribune, 2015(3):136-139, 159.]
[4]
邵敏.街场黄梅戏与戏曲生态[J].安庆师范大学学报(社会科学版),2018,37(6):15-19.[Shao Min. Huangmei Opera in open space and opera ecology[J]. Journal of Anqing Normal University (Social Science Edition), 2018,37(6):15-19.]
[5]
邵颖萍,张鸿雁.集体记忆与城市文化资本再生产——"昆曲意象"文化自觉的社会学研究[J].南京社会科学,2019(5):95-100, 107.[Shao Yingping, Zhang Hongyan. Social memory and reproduction of city cultural capital:Based on Kunqu in Suzhou[J]. Nanjing Social Science, 2019(5):95-100,107.]
[6]
王晓华,白凯.旅游发展视角下陕西华阴老腔的现代性展演与地方性表述[J].陕西师范大学学报(自然科学版),2018,46(6):1-9.[Wang Xiaohua, Bai Kai. The performance of modernity and the expression of placeness of Huayin Laoqiang from the perspective of tourism development[J]. Journal of Shaanxi Normal University (Natural Science Edition), 2018,46(6):1-9.]
[7]
杨子.再造"地方":新的文化治理视域下上海戏曲文化空间的生产[J].戏剧艺术,2020(3):135-149.[Yang Zi. Place reconstruction:The production of Shanghai urban Xiqu cultural space under the view of new cultural governance policy[J]. Dramatic Art, 2020(3):135-149.]
[8]
陶伟,程梓源.他者凝视下粤剧粤曲展演空间分析——广州荣华楼曲艺茶座个案研究[J].人文地理,2015,30(2):50-57,140.[Tao Wei, Cheng Ziyuan. The analysis of performing space under gaze of the other:A case study of Quyi Teahouse in Guangzhou Ronghualou[J]. Human Geography, 2015,30(2):50-57,140.]
[9]
张健,卫倩茹,芮旸,等.文化消费者对秦腔展演空间的感知与地方认同——以"易俗社"与"陕西省戏曲研究院"为例[J].人文地理, 2018, 33(1):31-42.[Zhang Jian, Wei Qianru, Rui Yang, et al. The perception and identity of the cultural consumers to Qin Opera:A case study of "Yisushe" and "Shaanxi Traditional Opera Institute"[J]. Human Geography, 2018,33(1):31-42.]
[10]
Lin M, Dong E. Place construction and public space:Cantonese opera as leisure in the urban parks of Guangzhou, China[J]. Leisure Studies, 2018,37(2):117-131.
[11]
Io M U. Understanding the core attractiveness of performing arts heritage to international tourists[J]. Tourism Geographies, 2019, 21(4):687-705.
[12]
Su X, Li X, Chen W, et al. Subjective vitality, authenticity experience, and intangible cultural heritage tourism:An empirical study of the puppet show[J]. Journal of Travel & Tourism Marketing, 2020,37(2):258-271.
[13]
Tuan Y F. Space and Place:The Perspective of Experience[M]. Minnesota:University of Minnesota Press, 1977:19-33.
[14]
Cresswell T. Place:A Short Introduction[M]. Oxford:Blackwell Publishing, 2004:51.
[15]
Massey D. A global sense of place[J]. Space Place & Gender, 1991, 38(2):166-186.
[16]
林耿,沈建萍.大城市健身消费与地方建构[J].地理学报,2011,66(10):1321-1331.[Lin Gen, Shen Jianping. The consumption of bodybuildind and the construction of place in a metropolis[J]. Acta Geographica Sinica, 2011,66(10):1321-1331.]
[17]
刘博,朱竑,袁振杰.传统节庆在地方认同建构中的意义——以广州"迎春花市"为例[J].地理研究,2012,31(12):2197-2208.[Liu Bo, Zhu Hong, Yuan Zhenjie. The significance of the traditional festival in the construction of place identity:A case study of the Winter Jasmine Flower Market in Guangzhou[J]. Geographical Research, 2012,31(12):2197-2208.]
[18]
Gutman J. A means-end chain model based on consumer categorization processes[J]. Journal of Marketing, 1982,46(2):60-72.
[19]
Pitts R E, Wong J K, Whalen D J. Consumers'evaluative structures in two ethical situations:A means-end approach[J]. Journal of Business Research, 1991,22(2):119-130.
[20]
Mcintosh A J, Thyne M A. Understanding tourist behavior using means-end chain theory[J]. Annals of Tourism Research, 2005, 32(1):259-262.
[21]
Lopez-Mosquera N, Sanchez M. The influence of personal values in the economic-use valuation of peri-urban green spaces:An application of the means-end chain theory[J]. Tourism Management, 2011,32(4):875-889.
[22]
Maree T. The importance of values research for nonprofit organizations:The motivation-based values of museum visitors[J]. International Journal of Nonprofit & Voluntary Sector Marketing, 2001, 6(2):116-130.
[23]
Reynolds T J, Gutman J. Laddering theory, method, analysis, and interpretation[J]. Journal of Advertising Research, 1988, 28(1):11-31.
[24]
郭云娇,王嫣然,罗秋菊.旅游开发影响下民族社区文化记忆的代际传承——以西安回民街历史文化街区为例[J].地理研究,2021, 40(3):869-884.[Guo Yunjiao, Wang Yanran, Luo Qiuju. Remembering the past and the persent together:Intergenerational cultural memory amidst tourism development in Huimin historical and cultural district[J]. Geographical Research, 2021,40(3):869-884.]
[25]
姚华松,周春山,黄耿志,等.空间的力量:广场舞的社会文化意义与地方认同效应[J].地理研究,2019,38(5):1136-1146.[Yao Huasong, Zhou Chunshan, Huang Genzhi, et al. The power of space:Socio-cultural implication of squaredancing and its effects of place identity[J]. Geographical Research, 2019,38(5):1136-1146.]
[26]
林敏慧,保继刚.城市广场舞休闲研究:以广州为例[J].旅游学刊, 2016, 31(6):60-72.[Lin Minhui, Bao Jigang. Research on "carnivalesque dancing":A case study of Guangzhou[J]. Tourism Tribune, 2016,31(6):60-72.]
[27]
Liu C, Cai X. Performing Guangzhou and Guangzhou Ren:Analysing popular music in Guangzhou[J]. Social & Cultural Geography, 2014,15(7):769-785.
