基于“舞台—互动”视角的城市创意空间生产研究——合肥罍街案例

李桂莎; 赵春雨; 凌善金; 陆林

doi:10.13959/j.issn.1003-2398.2024.04.012

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人文地理 ›› 2024, Vol. 39 ›› Issue (4) : 106-117. DOI: 10.13959/j.issn.1003-2398.2024.04.012

文化

基于“舞台—互动”视角的城市创意空间生产研究——合肥罍街案例

李桂莎, 赵春雨, 凌善金, 陆林

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A STUDY ON THE URBAN CREATIVE SPACE PRODUCTION BASED ON THE PERSPECTIVE OF "STAGE-INTERACTION": A CASE STUDY OF LEI STREET IN HEFEI

LI Gui-sha, ZHAO Chun-yu, LIN Shan-jin, LU Lin

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摘要

在文化和旅游深度融合背景下，充分探索城市创意空间生产过程和模式对城市文化建设具有重要意义。研究以合肥罍街为例，通过半结构化访谈和网络点评获取文本和照片数据，结合舞台真实理论和互动仪式链理论构建罍街创意空间生产的理论分析框架，探索旅游介入下的城市创意空间生产过程和模式，剖析游客互动实践促进创意空间再生产的内在逻辑。研究发现：罍街创意空间生产模式是政府与企业自上而下开发和游客自下而上建构的协作模式，开发商通过创意景观和创意活动构建沉浸式的创意舞台表征，游客通过在舞台中的“游览—影像实践—图像叙事—打卡”互动仪式实践解构创意景观，实现自我对创意空间的想象并映射至现实空间，促使创意空间的再生产，研究结果以期为类似城市创意空间生产提供路径参考。

Abstract

In the context of deep integration of culture and tourism, creative space is the material carrier and concentrated expression field of urban culture and spirit, as well as an important breakthrough point of cultural production and tourism development. This paper selects Hefei, a central city with vertical economic rise, as a case study. The researchers obtained text and photo data in two ways: One was to interview tourists and merchants in Lei Street, Hefei, and the other was to collect text and photo data of comments on the Internet. We constructed the theoretical analysis framework of creative space production combined with StageAuthentic theory and Interactive-Ritual-Chain theory in Lei Street, explored the production process and mode of urban creative space under the intervention of tourism, and analyzed the internal logic of tourists' interactive practice promoting the reproduction of creative space. This paper found that the production mode of Lei Street creative space is the mode of top-down and bottom-up collaboration, that is, it is jointly produced by the government, enterprises and tourists. Under the guidance of urban renewal and cultural tourism development policies, developers invested in the construction of Lei Street to obtain the right of spatial domination. They set a symbolic and immersive creative stage through creative landscape and creative activities, uses the stage order to guide visitors to gaze at the landscape, and finally constructs the spatial representation of urban culture and traditional cultural images.

导出引用

李桂莎, 赵春雨, 凌善金, 陆林. 基于“舞台—互动”视角的城市创意空间生产研究——合肥罍街案例[J]. 人文地理. 2024, 39(4): 106-117 https://doi.org/10.13959/j.issn.1003-2398.2024.04.012

LI Gui-sha, ZHAO Chun-yu, LIN Shan-jin, LU Lin. A STUDY ON THE URBAN CREATIVE SPACE PRODUCTION BASED ON THE PERSPECTIVE OF "STAGE-INTERACTION": A CASE STUDY OF LEI STREET IN HEFEI[J]. HUMAN GEOGRAPHY. 2024, 39(4): 106-117 https://doi.org/10.13959/j.issn.1003-2398.2024.04.012

中图分类号： F590

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