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| SPATIAL DISTRIBUTION AND FORMATION OF LIVE MUSIC PERFORMANCE IN CHINA |
| LI Xiao-yue, WANG Shi-jun, HAO Fei-long |
| School of Geographical Sciences, Northeast Normal University, Changchun 130024, China |
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Abstract Live music performance is one of the most important ways of mass entertainment, and also an important part of the music industry chain. In recent years, the number of live music performance in China is increasing year by year, and the market of live music performance is developing rapidly, which is affecting people's life and production. However, most of the existing music geography studies focus on folk songs, and few of them focus on other music activities other than folk songs. At the same time, the existing research on music industry pays little attention to the field music industry. In the perspective of geography, the attention on the regional differences and the causes of the field music performance nationwide is insufficient. Therefore, the focus of this paper lies in the spatial distribution and formation of live music performance in china, which is a supplement to the existing research. For this reason, this study uses the data of Chinese live music performance in 2017, and uses the methods of variation coefficient, Shannon-Wiener index and ArcGIS visualization expression to analyze the spatial distribution characteristics and the causes of formations of Chinese live music performance. We found that: 1) The number of live music performance in China is very uneven in the distribution of rose and performance style. November and December are the months with the largest number of live music performance in China, with the largest number of live music performances in folk songs and rock and roll styles. 2) On regional, provincial and urban scales, the spatial distribution characteristics of the number of live music performance in China are different. 3) The spatial characteristics of live music performance are formed under the combined effects of the performance basis and market differences, the level of urban social and economic development, the embeddedness and cultural inclusiveness of local music, and relevant policies of music and cultural industry.
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Received: 25 December 2019
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2020, Vol. 35 
