SPATIAL DISTRIBUTION AND FORMATION OF LIVE MUSIC PERFORMANCE IN CHINA

LI Xiao-yue; WANG Shi-jun; HAO Fei-long

doi:10.13959/j.issn.1003-2398.2020.05.005

PDF(5588 KB)

HUMAN GEOGRAPHY ›› 2020, Vol. 35 ›› Issue (5) : 36-43. DOI: 10.13959/j.issn.1003-2398.2020.05.005

CULTURE

SPATIAL DISTRIBUTION AND FORMATION OF LIVE MUSIC PERFORMANCE IN CHINA

LI Xiao-yue, WANG Shi-jun, HAO Fei-long

Author information +

History +

Abstract

Live music performance is one of the most important ways of mass entertainment, and also an important part of the music industry chain. In recent years, the number of live music performance in China is increasing year by year, and the market of live music performance is developing rapidly, which is affecting people's life and production. However, most of the existing music geography studies focus on folk songs, and few of them focus on other music activities other than folk songs. At the same time, the existing research on music industry pays little attention to the field music industry. In the perspective of geography, the attention on the regional differences and the causes of the field music performance nationwide is insufficient. Therefore, the focus of this paper lies in the spatial distribution and formation of live music performance in china, which is a supplement to the existing research. For this reason, this study uses the data of Chinese live music performance in 2017, and uses the methods of variation coefficient, Shannon-Wiener index and ArcGIS visualization expression to analyze the spatial distribution characteristics and the causes of formations of Chinese live music performance. We found that: 1) The number of live music performance in China is very uneven in the distribution of rose and performance style. November and December are the months with the largest number of live music performance in China, with the largest number of live music performances in folk songs and rock and roll styles. 2) On regional, provincial and urban scales, the spatial distribution characteristics of the number of live music performance in China are different. 3) The spatial characteristics of live music performance are formed under the combined effects of the performance basis and market differences, the level of urban social and economic development, the embeddedness and cultural inclusiveness of local music, and relevant policies of music and cultural industry.

Key words

music geography / live music performance / spatial characteristics / musical styles

Cite this article

EndNote

Ris (Procite)

Bibtex

Download Citations

LI Xiao-yue, WANG Shi-jun, HAO Fei-long. SPATIAL DISTRIBUTION AND FORMATION OF LIVE MUSIC PERFORMANCE IN CHINA[J]. HUMAN GEOGRAPHY. 2020, 35(5): 36-43 https://doi.org/10.13959/j.issn.1003-2398.2020.05.005

References

[1] 张述林.音乐地理学的主要研究领域[J].人文地理,1989,4(4):42-45.[Zhang Shulin. The main research fields of music geography[J]. Human Geography, 1989,4(4):42-45.]
[2] 马勇,邓亚波.试论音乐与地理环境[J].人文地理,1995,10(4):52-55, 80.[Ma Yong, Deng Yabo. Discussing music and geographical environment[J]. Human Geography, 1995,10(4):52-55,80.]
[3] 乔建中.论中国传统音乐的地理特征及中国音乐地理学的建设[J]. 中央音乐学院学报,1998(3):3-9.[Qiao Jianzhong. On the geographical characteristics of China's traditional music and China's music geography[J]. Journal of the Central Conservatory of Music, 1998(3):3-9.]
[4] 薛艺兵,吴艳.江苏传统音乐文化地理分布研究[J].音乐艺术(上海音乐学院学报),2008(3):61-68.[Xue Yibing, Wu Yan. Jiangsu traditional musical culture:Geographical distribution[J]. Art of Music (Journal of the Shanghai Conservatory of Music), 2008(3):61-68.]
[5] 薛艺兵.流动的声音景观——音乐地理学方法新探[J].中央音乐学院学报,2008(1):83-88.[Xue Yibing. Flowing sound landscape:A new exploration of music geography method[J]. Journal of the Central Conservatory of Music, 2008(1):83-88.]
[6] 蔡际洲.音乐文化与地理空间——近三十年来的区域音乐文化研究[J].音乐研究,2011(3):6-18.[Cai Jizhou. Music culture and geospatial space:A study of regional music culture in the past 30 years[J]. Music Research, 2011(3):6-18.]
[7] 黄虎.国内外音乐地理研究回顾与展望[J].星海音乐学院学报, 2016(2):50-60.[Huang Hu. Review and prospect of research on music geography at home and abroad[J]. Journal of Xinghai Conservatory of Music, 2016(2):50-60.]
[8] 赵沛.中国音乐产业的概念界定及其发展现状[J].华中师范大学研究生学报,2008,15(4):144-148.[Zhao Pei. The development and the concept of Chinese music industry[J]. Huazhong Normal University Journal of Postgraduates, 2008,15(4):144-148.]
[9] 刘爱利,刘福承,邓志勇,等.文化地理学视角下的声景研究及相关进展[J]. 地理科学进展,2014,33(11):1452-1461.[Liu Aili, Liu Fucheng, Deng Zhiyong, et al. Progress in soundscape studies from the perspective of cultural geography[J]. Progress in Geography, 2014,33(11):1452-1461.]
[10] 邓志勇,刘爱利,陈昊骙.历史文化街区声景语义的主观评价研究——基于人文地理学的视角[J].人文地理,2014,29(1):35-42.[Deng Zhiyong, Liu Aili, Chen Haokui. Semantic analysis for the soundscape of historical and cultural areas:An approach of human geography[J]. Human Geography, 2014,29(1):35-42.]
[11] 徐薛艳,席宇斌,孙雪飞,等.国家地质公园声景构成与游客感知研究——以云台山风景名胜区为例[J].地域研究与开发,2018,37(5):112-117.[Xu Xueyan, Xi Yubing, Sun Xuefei, et al. Classification and tourists' perception of soundscapes in the national park:A case study of Yuntai Mountain[J]. Areal Research and Development, 2018,37(5):112-117.]
[12] 陈俊杰,张捷,曾湛荆,等.中介效应模型下声景观对旅游社交心理的影响分析——以厦门鼓浪屿为例[J].地域研究与开发,2018,37(6):110-116.[Chen Junjie, Zhang Jie, Zeng Zhanjin, et al. Analysis of impact to tourism social psychology from soundscape perception based on mediating effect model:Taking Gulangyu Islet in Xiamen as an example[J]. Areal Research and Development, 2018,37(6):110-116.]
[13] 谢雨辰.广州二沙岛街头音乐表演调查研究[D].广州:广州大学, 2017:27-29.[Xie Yuchen. An Investigation on the Performance of Street Music in Ersha Island of Guangzhou[D]. Guangzhou:Guangzhou University, 2017:27-29.]
[14] 钱俊希,朱竑.新文化地理学的理论统一性与话题多样性[J].地理研究,2015,34(3):422-436.[Qian Junxi, Zhu Hong. Theoretical unity and thematic diversity in new cultural geography[J]. Geographical Research, 2015,34(3):422-436.]
[15] Nash P H, Carney G O. The seven themes of music geography[J]. The Canadian Geographer, 1996,40(1):69-74.
[16] Carney G O. The geography of music:Inventory and prospect[J]. Journal of Cultural Geography, 1990,10(2):35-48.
[17] Carney G O. Music geography[J]. Journal of Cultural Geography, 1998,18(1):1-10.
[18] 金悦如.浅析民族音乐市场发展的趋势、挑战与创新路径[J].现代经济信息,2018(16):385-387.[Jin Yueru. Analysis of the trend, challenge and innovation path of the development of the national music market[J]. Modern Economic Information, 2018(16):385-387.]
[19] 焦珂.经济视域下城市音乐产业经济发展的思考[J].经济研究导刊,2017(26):51-52.[Jiao Ke. Thoughts on the economic development of urban music industry from the perspective of economy[J]. Economic Research Guide, 2017(26):51-52.]
[20] 张莹,孙瑞雪.河北民间音乐文化产业与其他产业的融合研究[J]. 延安职业技术学院学报,2019,33(1):96-98.[Zhang Ying, Sun Ruixue. The fusion of Hebei folk music culture industry and other industries[J]. Journal of Yan'an Vocational & Technical College, 2019,33(1):96-98.]
[21] 陈倩倩,王缉慈.论创意产业及其集群的发展环境——以音乐产业为例[J].地域研究与开发,2005,24(5):5-8,37.[Chen Qianqian, Wang Jici. On the environment of creative industry and its clusters:A case of music industry[J]. Areal Research and Development, 2005,24(5):5-8,37.]
[22] 吴少峰,戴光全.异托邦:音乐节事活动的空间实践——以迷笛音乐节为例[J]. 人文地理,2018,33(3):44-51.[Wu Shaofeng, Dai Guangquan. Heteroyopia:A study on the spatial practice of MIDI Music Festival[J]. Human Geography, 2018,33(3):44-51.]
[23] 刘晨,蔡晓梅. "噪" 起来:广州音乐现场的文化地理研究[J].地理科学,2016,36(6):871-878.[Liu Chen, Cai Xiaomei. Noise up! A cultural geographical analysis of live music in Guangzhou[J]. Scientia Geographica Sinica, 2016,36(6):871-878.]
[24] 王曼曼,张敏.表演性视角下音乐节的空间生产——以太湖迷笛音乐节为例[J].地理研究,2017,36(02):294-306.[Wang Manman, Zhang Min. Production of the music festival space from the performative perspective:Case of Taihu Midi Music Festival[J]. Geographical Research, 2017,36(2):294-306.]
[25] 王志高,叶万辉,曹洪麟,等.鼎湖山季风常绿阔叶林物种多样性指数空间分布特征[J].生物多样性,2008,16(5):454-461.[Wang Zhigao, Ye Wanhui, Cao Honglin, et al. Spatial distribution of species diversity indices in a monsoon evergreen broadleaved forest at Dinghushan Mountain[J]. Biodiversity Science, 2008,16(5):454-461.]
[26] 夏令军,刘艳芳,刘国炜.中国地级城市餐饮业分布格局及影响因素——基于"大众点评网" 数据的实证研究[J].经济地理,2018,38(5):133-141.[Xia Lingjun, Liu Yanfang, Liu Guowei. Spatial distribution pattern and influencing factors of catering industry inprefecture level and above cities in China:An empirical study based on the dianping.com data[J]. Economic Geography, 2018,38(5):133-141.]
[27] 马双,曾刚.多尺度视角下中国城市创新网络格局及邻近性机理分析[J].人文地理,2020,35(1):95-103.[Ma Shuang, Zeng Gang. Analysis of China's urban innovation network pattern and its proximity mechanism from a multi-scale perspective[J]. Human Geography, 2020,35(1):95-103.]
[28] 王成金,张梦天.中国物流企业的布局特征与形成机制[J].地理科学进展,2014,33(1):134-144.[Wang Chengjin, Zhang Mengtian. Spatial pattern and its mechanism of modern logistics companies in China[J]. Progress in Geography, 2014,33(1):134-144.]