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人文地理  2020, Vol. 35 Issue (5): 36-43    DOI: 10.13959/j.issn.1003-2398.2020.05.005
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中国现场音乐演出空间特征及成因
李小月, 王士君, 浩飞龙
东北师范大学 地理科学学院, 长春 130024
SPATIAL DISTRIBUTION AND FORMATION OF LIVE MUSIC PERFORMANCE IN CHINA
LI Xiao-yue, WANG Shi-jun, HAO Fei-long
School of Geographical Sciences, Northeast Normal University, Changchun 130024, China

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摘要 以秀动网上的演出信息为数据来源,获取2017年中国现场音乐演出的数据,运用变异系数、香农—威纳指数和ArcGIS可视化表达等方法,分析我国现场音乐演出的空间分布特征并探讨其形成原因。研究发现:①中国现场音乐演出数量在月季分布和演出风格上分布极不均衡。②在区域、省域和城市三个尺度上,中国现场音乐演出的数量和风格分布特征各不相同。③现场音乐演出空间特征是在现场音乐演出基础与市场差异、城市社会经济发展水平、地方音乐根植性与文化包容性以及音乐文化产业相关政策驱动等作用下形成的。
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李小月
王士君
浩飞龙
关键词 音乐地理现场音乐演出空间特征音乐风格    
Abstract:Live music performance is one of the most important ways of mass entertainment, and also an important part of the music industry chain. In recent years, the number of live music performance in China is increasing year by year, and the market of live music performance is developing rapidly, which is affecting people's life and production. However, most of the existing music geography studies focus on folk songs, and few of them focus on other music activities other than folk songs. At the same time, the existing research on music industry pays little attention to the field music industry. In the perspective of geography, the attention on the regional differences and the causes of the field music performance nationwide is insufficient. Therefore, the focus of this paper lies in the spatial distribution and formation of live music performance in china, which is a supplement to the existing research. For this reason, this study uses the data of Chinese live music performance in 2017, and uses the methods of variation coefficient, Shannon-Wiener index and ArcGIS visualization expression to analyze the spatial distribution characteristics and the causes of formations of Chinese live music performance. We found that: 1) The number of live music performance in China is very uneven in the distribution of rose and performance style. November and December are the months with the largest number of live music performance in China, with the largest number of live music performances in folk songs and rock and roll styles. 2) On regional, provincial and urban scales, the spatial distribution characteristics of the number of live music performance in China are different. 3) The spatial characteristics of live music performance are formed under the combined effects of the performance basis and market differences, the level of urban social and economic development, the embeddedness and cultural inclusiveness of local music, and relevant policies of music and cultural industry.
Key wordsmusic geography    live music performance    spatial characteristics    musical styles   
收稿日期: 2019-12-25     
PACS: K901.6  
基金资助:国家自然科学基金项目(41630749,41801153)
通讯作者: 王士君(1963-),男,吉林长春人,教授,博士,主要研究方向是城市地理和经济地理。E-mail:wangsj@nenu.edu.cn。     E-mail: wangsj@nenu.edu.cn
作者简介: 李小月(1995-),女,河南潢川人,硕士,主要研究方向是城市地理。E-mail:2452410153@qq.com。
引用本文:   
李小月, 王士君, 浩飞龙. 中国现场音乐演出空间特征及成因[J]. 人文地理, 2020, 35(5): 36-43. LI Xiao-yue, WANG Shi-jun, HAO Fei-long. SPATIAL DISTRIBUTION AND FORMATION OF LIVE MUSIC PERFORMANCE IN CHINA. HUMAN GEOGRAPHY, 2020, 35(5): 36-43.
链接本文:  
http://rwdl.xisu.edu.cn/CN/10.13959/j.issn.1003-2398.2020.05.005      或     http://rwdl.xisu.edu.cn/CN/Y2020/V35/I5/36
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