1990年代以来广州城市涂鸦空间的形成与嬗变——基于空间生产的视角

doi:10.13959/j.issn.1003-2398.2018.02.006

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摘要改革开放后，涂鸦伴随后现代街头文化传入中国，逐渐发展成为融合中西方的文化景观。涂鸦作为以城市公共空间为载体的创作形式，兼具艺术内涵和反叛色彩的双重特性，因此也被视为城市管理的不稳定因素，使其空间的生产常充满了多元主体的冲突。本文运用实地调研和深度访谈的方法，通过探究广州城市涂鸦空间的形成演变，透视当代中国城市后现代文化空间的生产及其意义。研究发现，广州城市涂鸦的空间形成主要经历了三个阶段，呈现出以老城区为中心逐步向外围地区扩展的特点。涂鸦手通过建构创作空间、利用资本力量、与政府博弈等手段实现对城市空间的占据，并使涂鸦逐渐成为具有中国本土化特征的后现代文化空间的范例。本文通过广州案例的研究，希望为今后中国城市空间治理的实践及空间正义的相关讨论提供参考借鉴。

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关键词 ：涂鸦, 空间生产, 社会行动, 后现代, 广州

Abstract：Graffiti were introduced into China after the Reform and Opening, and have gradually developed into urban landscapes blending the east and west. Different from the western graffiti (closely related to crime and politics), Chinese graffiti are mainly individual expressions and artistic creations. Existing in urban public space, graffiti reflect multiple actors' conflicts, competition and cooperation because of the dual feature as rebellious and artistic. The on-site surveys and interviews were conducted from the middle of 2015 to the end of 2016. It is found that the development of graffiti in Guangzhou had undergone three stages in the background of urban spatial evolution and urban strategy adjustments since the 1990s. From the 1990s to 2006, graffiti works, crews, activities and websites appeared in central areas of Guangzhou for the first time, and flourished in this period. But after 2010, the urban management was not so strict as the previous years so that graffiti writers came back to the central area in the city. And their works clustered in Yuexiu, Tianhe and Liwan District and gradually expanded to surrounding areas. In recent years, social networking platforms helped to strengthen graffiti writers' social interaction. As a result, Graffiti, which represent one of the postmodern culture elements in cities, have formed the local characteristics in China.

Key words： graffiti production of space social actions post-modern Guangzhou city

收稿日期: 2017-03-09

基金资助:

国家自然科学基金项目（41571130，41271165）

通讯作者: 刘云刚(1973-),男,内蒙古呼和浩特市人,教授,博士,主要研究方向为城市地理学、政治地理学、生活空间论。E-mail:liuyung@mail.sysu.edu.cn。 E-mail: liuyung@mail.sysu.edu.cn

作者简介: 魏敏莹(1992-),女,广东东莞人,硕士研究生,主要研究方向为城市地理学、政治地理学、后现代城市文化研究。E-mail:weimy3@mail2.sysu.edu.cn。

引用本文:

魏敏莹, 刘云刚. 1990年代以来广州城市涂鸦空间的形成与嬗变——基于空间生产的视角[J]. 人文地理, 2018, 33(2): 43-49. WEI Min-ying, LIU Yun-gang. PRODUCTION OF POST-MODERN LANDSCAPE IN URBAN CHINA: A CASE STUDY OF GRAFFITI IN GUANGZHOU. HUMAN GEOGRAPHY, 2018, 33(2): 43-49.

链接本文:

http://rwdl.xisu.edu.cn/CN/10.13959/j.issn.1003-2398.2018.02.006 或 http://rwdl.xisu.edu.cn/CN/Y2018/V33/I2/43

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